From Rapkin’s observations to Cannon’s absurd humor
Pitch Perfect is based on a book by Mickey Rapkin, an American journalist and former a cappella singer. Thanks to his own experience, he captures the passion and life within singing competitions authentically. Still, it’s the witty dialogue and absurd touches from screenwriter Kay Cannon that make the film so delightful. Cannon previously worked on the satirical TV series 30 Rock, and that sharp, quick humor is clearly present here as well. With short, bizarre twists and a lightly satirical tone, she lifts the film above the level of the standard comedy.
The art of ensemble
While the film mainly follows Beca (played by Anna Kendrick) on her journey toward both musical and personal growth, her singing group also plays a major role. Beca is a member of the Bellas, an all-female a cappella group at her university. Each member of the Bellas has a distinct, archetypal role: from the awkward newcomer to the self-assured diva. But the film plays smartly with these stereotypes, often subverting expectations in surprising ways. You can see this in small, subtle visual gags. For example, the background antics of “Fat Amy” (Rebel Wilson), which sometimes tell their own mini comedic story.
Pitch Perfect shows how creative collaboration often comes with friction, but that it’s precisely this tension that creates room for development and growth. The Bellas only find their true strength when each member dares to bring in her own style. In doing so, the film reflects on the idea that harmony doesn’t necessarily mean uniformity, but rather emerges from the interplay of different voices and personalities.