The work of Björn Zielman (1992) rushes past you like a cacophony. The feeling of overstimulation lingers after seeing his installations, which are truly dazzling.
His work is always in dialogue with its surroundings, making integral use of architecture and applying a combination of different media: from gigantic posters, QR codes, and hysterical videos to even flying toilet rolls. Practicing hysteria, stimulating madness, and cultivating nonsense is his way of rebelling against an oppressive rationalism. His work, therefore, rejects reason. What he himself says about his work at Concordia for the Rainbow Days is:
“Cacophony of Diversity” is a digital site-specific artwork that explores the complexity and richness of human diversity. This work invites the viewer on a visual journey through an endless series of faces, each with its own unique identity. The play of flickering colors and lights in this piece symbolizes the variety of backgrounds, experiences, and perspectives that make up our society. This diversity is a fundamental characteristic of our world and contributes to the richness of our cultures and communities.
“Cacophony of Diversity” invites introspection on the importance of inclusion and acceptance. It reminds us that true beauty often lies in our differences, and that by coming together and valuing what makes us unique, we can create a more inclusive and empathetic society. This artwork is a sober reminder of the importance of celebrating diversity and fostering respect for all individuals, regardless of their background. It calls for a society in which everyone has the space to be themselves and in which the cacophony of diversity is seen as a source of strength and inspiration for the future.